Thursday, May 23, 2013

Things lately

Hey friends. Im aware of my lack of postage on here. My apologies. If you aren't aware, i did launch a new informational website. Its easy. www.motleycustoms.com. This website has some wonderful new information on Motley Customs' new business areas as of 2013. We've launched some amazing new opportunities for all you tech folks... Consulting for live and studio audio... Along with audio install consulting and Music and Tech lessons too. Here are some pictures from my latest adventures and such.
 I play this snare all the time. Its so great. Ludwig Birch Custom. 
 Pedalboard setup for Seth Hernandez
 Pedalboard setup for Greg Fernandez


Plane rides  


 Drum Recording

My first experience playing a C&C drumkit. So boss. 



 New studio gear. 


Hanging with friends in cool places. 




Andy Cherry Live




More plane rides.  
 Lots of pedals come through the MC shop.

Freedom House Worship easter single available on iTunes. "Constant"
(I played on, engineered, and produced this song)
Pedalboard setup for KC Clark



 I helped my buddy Andy Cherry drive across America


 Recording demos
 Pedalboard setup for Stephen Spears
Pedalboard setup for Adam Carpenter  



Lessons and Consulting 



Playing beautiful guitars




First trip to Forks



MORE plane rides



Golf days with friends


Church


Cool boots


Friends getting married


Mixing, and bringing back the buzz. 




Thats most of it... Thanks for reading!
Travis

Wednesday, February 20, 2013

The BadCat Judah Demo Video

SO, as i mentioned in my last post, BadCat has made a huge impact in the worship industry in the past year. I had the privilege of acquiring a custom shop V2 Judah. Visit the Motley Customs Youtube Page to view my Judah demo. I love this amp. Everyone should have one. 

Thanks for reading!

Monday, December 3, 2012

BadCat "Judah" Review

Hello again to you all. 

      In 2012, BadCat Amplifier Company made the decision to break into the Worship Music industry; and they have made a massive movement in just a few months of going public with it. BadCat now has a number of P&W guitarists/artists using their amps. Here are a few to mention, plus some of the amps that they are playing: 

James Duke- John Mark McMillan/ All the Bright Lights ("Stella" signature model)
John Mark McMillan (Classic Deluxe)
Jeffrey Kunde- Jesus Culture ("Luca" signature model)
Lance Gatch- Elevation Worship (Wild Cat 40)
Mack Brock- Elevation Worship (Hot Cat 30)
Daniel Carson- Chris Tomlin (Wild Cat 40)
Matt Podesla- Chris Tomlin/ Matt Redman (Custom Wild Cat/Cool Cat blend)
Michael Gungor (Wild Cat 40)
Matt 'Frodo' Kidd- Phil Wickham/ Shane & Shane/ Robbie Seay Band
Jack Parker- David Crowder/ The Digital Age
Mark Waldrop- David Crowder/ The Digital Age


      Along with this massive new attraction in the P&W community to this world-renown boutique guitar amplifier company, BadCat also made a decision to spice things up with a new custom shop amp, The "Judah." This new amp was born from the idea of having 2 separate amps in one. Which many companies are doing, but not doing well. Donny Garrett, Owner of The Gear Port and BadCat guru says:


"The BadCat "Judah" is said to be a perfect blend between a classic AC15 and a vintage Blackface Deluxe. But I find it to have a completely original voice that is unprecedented in today's boutique market." 

      BadCat offered to make only 25 of the V1 Judah's... Which is cool. Through my good friend James Duke, i had the chance to acquire one of these beautiful Judah amplifiers. Before going into detail, i must say, I've played a Jackson. It was the best I'd heard. I've owned a Z for a while, it was sweet and twangy. I've played the vintage stuff and the acclaimed "holy" amplifiers...BUT, with my Nash Tele, and a '65 Gretsch country classic, this Judah changes everything. With the 2 channels my Tele sounds like 2 different guitars. My pedals translate so so well. The look and piping and everything cosmetic is Grade A++. This is the amp I've been searching for...for a very long time. I feel honored to have the opportunity to own this amp and ill make sure to pass it down through the generations. I believe in what BadCat is doing in the P&W community, and simply what they're doing as a company in general. I also got a matching 1x12 BadCat cab with my Judah. It is a solid Birch cab with a 12" BadCat speaker in it. Both head and cab have matching silver piping. My Judah is slightly different from the others. It has the top-mount chassis and individual Stand by and ON/OFF switches. Maybe some other things too. 



      The BadCat Judah is a hand wired channel switching amp wired for 20 watts in class AB. 
This amp is a marriage of the 12AX7 and EF86 preamps from Bad Cat's flagship Black Cat and a dual 6V6 power section.The front panel features are: individual inputs for each channel, volume, bass, and treble for the 12AX7 channel, volume and a 5 position tone wheel for the EF86 channel, and a global cut circuit and post phase inverter master volume. 
The rear panel features are dual 8 ohm speaker outs, a 10 watt half power switch, and a 1/4" jack for the included channel footswitch. The two channels have very individual characteristics, providing the player proverbial "swiss army knife" of tonal palettes. The 12AX7 channel goes from pristine cleans to the edge of breakup.The complex mids of tonewheel equipped EF86 channel take it from there into JTM45 territory. The half power switch and post phase inverter master volume allow the user to get all of these sounds at bedroom levels without compromising tone. This is due in part to the 6V6's uncanny ability to remain full and responsive even at lower plate voltages.

Thanks again to Donny Garrett  from The Gear Port, and to John and George at BadCat.

Thanks for reading!
Travis


Friday, November 9, 2012

"The Working Musician"


The following blogpost is simply an attempt to help musicians who need guidance. There are personal quotes, personal opinions, and tips from certain individuals. These are NOT the rules of music. Many of the following quotes or topics have come from years of experience in the music industry. Take it with a grain of salt.

“If you don't treat music like its your job, it won't be your job. The importance isn't scoring the opportunity. The importance is me being me, and me approaching it as if it would be in any other musical/job situation with anyone, anywhere. You need to do your job like you. Not like the last person. A lot of people who want to make music their job, don't make it their job before its their job. Its imperative to see the importance in what you do.” 
                                               -Trenton Starnes

“Put yourself ahead of the curb, building musically. Instead of building yourself in worry and doubt of the fear of the future or what's happened in the past.”
-Trenton Starnes
Drummers- 
I am primarily a drummer. So I have a few tips and comments on this topic... 

What is your primary focus when playing? Fills? Crowd Energy? How good you look when 'that part' of the song comes up? I hate to break it to you, but THE GROOVE is your best friend. Play tight, Play tight, Play the groove. I've played with countless amazing worship leaders and top 40 cover bands that of course care about the structure and parts of songs, but a pocket groove and close recreation of the drum parts on the record are imperative. What is "pocket" playing you may ask? It's where you are so tight with the clock/tempo/metronome (and bass player) that your skinny jeans can't get any tighter. That tight. Be creative, but be the foundation. 

A 4 piece kit is enough. 5 is fine. If you "need" 7 toms, 3 snares, chimes, bells, and 19 cymbals... That's fine. Just please be tasteful. I've played a 4 piece kit with hats, ride and 1 crash for about 5 years now. It fits me everywhere I go. Plus it's easy to back-line when traveling and flying places. Adding another crash or a second floor tom happens from time to time for certain occasions, but i normally use a very simplistic setup. 

Please learn how to tune your drums. Now, there are many different ways, tuning styles, etc. Study tuning. Its very important and helps the other musicians, believe it or not. A normal tuning for my Snare is medium to low, Rack and Floor toms are the same, and Kick is fairly dead with some warmth to it. Drumheads, I play coated heads. You might play clear, onyx, etc. That's totally fine. 

Bassists- 
Simplicity is your best friend. Creative licks are only felt, not heard. If you need a 5 string, play it, if not, a 4 string Jazz or P will hold up in any and every situation. Your other best friend, is the drummer. Love him. Hate him. But groove so utterly tight with him that it makes people shiver and shake in amazement. 

“Know these things and it will help everyone... Serve the song, Support the melody and everyone in the band, and get out of your comfort zone.”
-Shae Wooten

“You're the melody, the rhythm, the foundation.”
-Jaco Pastorius

Guitarists-
-Please refer to The Worship Guitarist for more tips-

“Your playing should always serve the song. Practice. Deliberate practice in finding and working on things that you may never use but things that you can learn and conquer just for the hell of it.”
-Joey Signa (Paper Tongues Guitarist)

Even though its a rare shot to take, Tiger Woods practiced the “buried sand-trap shot” over and over because he knew it would only make him better and somehow save him one day on the golf course. 

“Someone that you think is incredible probably only practices MORE than you! Practice the things that suck and that are terribly hard, because they will most definitely make you better. Practice with a metronome. Find inspiration that makes you practice and work harder at your craft. Fear holds you because of the worry in not getting a position or not being good enough.”
-Joey Signa (Paper Tongues Guitarist)

When you can work intimately night and day and sacrifice things for your craft and your music, things WILL work. 

Keyboardists-
Create tasteful sounds. Use good programs to create them (Reason, Ableton, Mainstage, etc). You should never stop playing. Always be lying under the mix of the band with your pads, ambient sounds, etc. There’s a huge difference in playing piano, and playing keys. 

Sound Guys-
Good ones are hard to come by. I appreciate a sound guy/sound tech/sound engineer that cares about what I have to ask or say, instead of just cutting my opinion down because I’m on stage and Im just a “musician.” Work with the band, be a part of the band. Have grace and be mindful of not only the “sound,” but the emotion of the music. 


"The main importance is practicing, preparing, and being productive with your craft."

Thanks for reading. 
Travis Motley

Friday, October 19, 2012

Here's what has been going on you guys.

Hey everyone. I am alive. I've been busy with traveling, pedalboards, tea, food and such. Here are some recent pictures of what i've ben doing in the last like.. 5 months.


Micah MicMinn's board (Greenville, SC)

Jason Harper's board (California)

Edgar Solorio's board (Texas)


Freedom Rock LIVE at Freedom House Church. (Charlotte, NC)

Tim Hargis' board (Scottsdale, AZ)

 Jared Pettinato's board (Mesa, AZ)

Pedalboards for guitarists at Mission Community Church in Phoenix, AZ

Playing with Andy Cherry 

Sitting with Andy Cherry

Vaca

Golf

Shredding

Coffee at GAT3 studio (Charlotte, NC)

Lake day with the parents

Kyle Kirkman's board (Nashville, TN)


Andy Cherry wireless INEAR travel rack

Freedom House Worship songwritting

Kenny Sparks' board (Concord, NC)

Charlotte ONE with Brian Wurzell (Charlotte, NC)

Paul Yerrick's board (Gilbert, AZ)

Wednesday, June 27, 2012

Motley Customs' Story [video]

Take a look at how Motley Customs began, what it is in my life, and what is to come.

[My good friend Daniel Manning made this video. He's a swell fella.]


Thanks again to everyone for all of your support and business over the past 2 years! 
-Travis

Sunday, June 10, 2012

Gear

Drums:

2001 Collectors Series DW drum kit- Its been my workhorse kit for many years. Its the greatest kit ever made.. i think. I have a matching Craviotto/DW Snare that goes with the kit. Its the boss. The shells are all 6ply maple/light maple/maple with re-rings all around the kit.
22x18 kick drum
10x6.5 rack
12x7.5 rack
13x8.5 rack
14x14 floor tom
16x14 floor tom
14x5.5 Craviotto/DW snare


Ludwig Quest Love Breakbeat drum kit- this is a tiny little drum set but it sounds massive. Mic'd up it sounds almost bigger than most standard kits. Tune it low, or crank it high for Jazz. Its unbelievably versatile. So good to record with too.
16x14 kick drum
10x7 rack
13x13 floor tom
14x5 snare
Kingston Drum CO drum kit- It stays at my church. Its amazing. All maple. Die Cast hoops. So punchy.
22x18 kick drum
12x8 rack
14x14 floor
16x15 floor


Yamaha Stage Custom Advantage drum kit- my first drum set. They don't make these like they used to. Its such a great kit. Very punchy. Goes out of tune sometimes. But thats awesome. 7ply birch/philippine/mahogany shells.
22x17 kick drum
10x8 rack
12x9 rack
14x12 rack
14x5.5 snare


Snares:
2001 14x5.5 Craviotto/DW- Its amazing

1976 14x5.5 Ludwig Super Sensitive Supra-phonic- You have to have a vintage Ludwig. Its incredible.

2005 14x5.5 Ludwig Classic Birch (w/ single flanged hoops)- My newest favorite. So warm and cuts just the right amount.

2013 15x5 Ludwig Quest Love Breakbeat Snare- All basswood. Cracks like crazy. So good to record with.

Cymbals:
Istanbul Agop series cymbals. These are my most favorite and most versatile cymbals i've ever played.
-24" Joey Waronker Signature Ride
-20" Tradition medium thin crash
-15", 16", 17" hats

Heads: Remo

Sticks: Promark SD9 Maple

Electronics/Studio:
-Ableton Suite 8
-Pro Tools 10
-Mainstage
-M-Audio Trigger finger
-M-Audio Midi Keystation
-Westone ES3X IEM
-Neumann Kms 105
-Sennheiser e604 x3
-Sennheiser e906 x2
-Shure SM57 x2
-Blue/EV Cardinal
-Sennheiser 300 G3 IEM x3
-Adam A7X monitors
-Apogee MiC
-Apogee Duet Firewire
-Apogee Quartet
-Mac Mini
-Plugins-Waves, SSL, Pultech, API

Guitars:
Nash T-57
Breedlove American D/SRe Herringbone
Fender Geddy Lee

Amps:
BadCat Judah
1x12 BadCat cab

Pedals: 
Boss TU3
Timmy
Kent Tranny boost
Goodrich 120 volume pedal
Line 6 M9